#Writer tomorrow with you drama how to#
Learn how to do basic formatting and spoiler tags.Īsk for recommendations in /r/kdramarecommends, see their Getting Started Guide and Recommendations 101 for tips to craft a useful request.Ĭheck out the Recommendations Archive for existing recommendations based on genre, trope, and themes.
#Writer tomorrow with you drama full#
Want to flair you post? See our full Post Flair Guide. See our Discussion Resources for guidelines and tips for common types of discussion posts. R/ KDRAMA basics - read guide before participating.Ĭheck our FAQ for answers to our most commonly asked questions!Ĭheck our Drama Resources for helpful info and links to find more helpful info.Īlternatively, there's the Drama Addicts Discord which is not run or owned by mods. Here's a guide to our reporting categories to help understand when you need to report something. If you spot anything while browsing the subreddit that breaks the rules that we've missed, please send a report. Policies on content, conduct, On-Air discussions, OSTs, encouraged and discouraged topics can be found here. DARK MODE NORMAL THEME Need Recommendations? Click here! /r/KDRAMA wiki Rules & Policies Please read The /r/KDRAMA Guide to familiarize yourself with how things operate, resources and more before posting. Be sure to check out our sidebar for helpful info and resources! Tomorrow continues to be an interesting show, on several levels, but it’s so flawed and inconsistent that recommending it to someone, much less someone with any of the issues that it discusses, wouldn’t be something that I could do in good faith.Welcome! This is a place for discussions about your favorite Korean dramas (current and past), the actors and actresses, drama reviews, official soundtracks, news, award shows and more. As varied as all the stories are, they all tend to be united by quite a meaty, sensitive topic or theme, and the show just doesn’t possess the necessary sensitivity to do any of them justice. When we move on from these cases, I don’t really get the sense that the people the Reapers have “helped” will be any better off. The entire premise is built on the idea of people suffering to such an extent that they don’t want to live anymore, and yet the solutions always seem bizarrely convenient, neat, and tidy. If there’s something Tomorrow doesn’t have, now that I think about it, it’s subtlety. It builds to a highly questionable conclusion that I think might warrant a raised eyebrow from anyone with a legitimate knowledge of eating disorders. Jun-woong gets an opportunity to relate to Ye-na having experienced the same thing among his family, but there’s a sense of the writing here not having a lived-in quality, like all its information about bulimia is second-hand.
This is to say nothing of the whole jokey approach in an episode about an eating disorder. The fact that this was never addressed at the time by a team whose explicit function is to stop suicides raises some awkward questions, doesn’t it? There’s an element of detective work here as circumstances suddenly mandate a more analog approach for the team as they try to identify Shin Ye-Na, a suicidal bulimic whose eating disorder stemmed from a failed suicide attempt in her youth. That isn’t to say that the sloppy writing and slapdash plotting has gone anywhere because that’s here too, with the new case raising some awkward questions about how this whole reaper thing is supposed to work. While last week’s double-bill found a better a better rhythm but instead began to mishandle some of its larger worldbuilding and logical elements, here we’re firmly back in slapstick, thoughtless territory, and the show is absolutely not stronger for it. Tuning into each new episode of Tomorrow is like rolling a dice to determine what’s going to annoy and/or worry me, and “A Prison Without Bars” returns us to an old problem – tone.
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